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There’s Nothing Revolutionary About ‘Morning After the Revolution’

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At its most entertaining, Morning After the Revolution hones in on this hollowness. In a chapter where Bowles attends a multiday course called The...

Why the Voices of Black Twitter Were Worth Saving

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The fear was reasonable. It was a fear I also carried. Uncertainty about whether or not I should tell the story now, and whether...

RIP ‘Red vs. Blue.’ Machinima Is Gone—but Its Legacy Is Everywhere

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Red vs. Blue is officially over. On Tuesday, Warner Bros. Discovery released Red vs. Blue: Restoration, the final installment in the long-running saga that...

Technology Is Transforming Rap Beef

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Like a soap opera, you skip an episode and lose track of the story. For the past month, two of the most successful hip-hop...

1994 Was the Last Good Year—and It’s Still Going

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In 1994, everything was cool. Music, movies, TV—the cultural output felt alive. People were also very cool, or they were achieving cool by...

The Taylor Swift Album Leak’s Big AI Problem

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On Thursday, Taylor Swift did a very Taylor Swift thing: She posted an Instagram story with a link to buy “Fortnight,” the first...

Nas’ ‘Illmatic’ Was the Beginning of the End of the Album

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Music consumption and discussion in 2024 bears little resemblance to fandom from one decade ago, let alone three or four. Old songs gain...

Alex Garland’s ‘Civil War’ Plays Both Sides

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Garland and A24, one of the film’s distributors, declined to give WIRED an interview to discuss these topics and didn’t respond to emailed...